Pro Lessons

by David J Chura & Mark Fitchett

Pro Lessons Free App

Mastering the

Minor Pentatonic Volume 1

Mastering the

Mixolydian Volume 1

Got The Bends?

Blues Rhythm Triads
Blues Bass Lines
Blues Turnarounds

Pro Scales: Blues Scale


Pro Scales: Minor Pentatonic Scale


Pro Scales: Major Pentatonic Scale


Pro Scales: Mixolydian Scale

Baddest Best Blues Licks Volume 1
Baddest Best Blues Licks Volume 2
Baddest Best Blues Licks Volume 3


















Ask yourself, “What would BB, Albert, Eric, Jimi, Stevie and countless other legends do?” and you’ll probably find it here. Step into the shoes of the pros and set your axe on fire as you blaze through these nine essential blues/rock moves.

This free introduction to Pro Lessons teaches you nine must-know hybrid/modified blues scale licks that combine elements from E major & minor pentatonic, E Dorian, E Mixolydian, and the E blues scales.

Pro Lessons gives you the tools, techniques, tricks & licks to step your guitar playing up to a pro level. Get ready to ride to fast track to guitar awesomeness through lessons personally crafted by renowned professional guitarist, educator and producer Mark Fitchett. 

A Pro Lesson teaches you how to play something useful immediately in a practical musical situation. Here are just a few things you can learn how to do from the many lessons available in the store:

  • Construct amazing solos
  • Phrase beautifully
  • Improvise in different styles
  • Improvise in every position
  • Play classic licks
  • Play interesting rhythm patterns
  • Play all positions of the scales & modes
  • Relate the chords and scales together
  • Use theory for practical purposes
  • Create your own licks
  • Find your own original style


  • Detailed Video for every lick and pattern in the lesson 
  • Active scrolling Tab that tracks the playback of video and audio 
  • Slow Down function for the audio 
  • Looping function for audio & video
  • Pro Band Backing Tracks that can be played at any tempo
  • Relevant Scales, Tab & Chord Grids for the licks and patterns 
  • Notes from Mark Fitchett on style, technique and theory


  • Mastering the Minor Pentatonic: Volume 1 - the E minor pentatonic scale
  • Mastering the Mixolydian: Volume 1: Anchor Licks for CAGED Chord Shapes
  • Got the Bends? 24 Classic Bend Licks for Blues & Rock Soloing
  • Blues Rhythm Guitar: Blues Rhythm Triads 
  • Blues Turnarounds


and more coming

  • Basic Scales - Major Pentatonic
  • Basic Scales - Minor Pentatonic
  • Basic Scales - Mixolydian 
  • Basic Scales - Blues Scale
  • More Licks
  • More Tricks 

A note from Mark: “As important as it is, most find it uninspiring learning theory, practicing scales and playing fingering exercises without a practical application. My goal in Pro Lessons is to help you to master the entire fretboard and sound great every step of the way by teaching you the essential licks that are at the core of blues and rock guitar styles.

I do believe everything should ultimately be expanded upon by analyzing the theory, scales and chords etc., but first and foremost I believe that if I give you something to play that will inspire you immediately, you will be motivated to continuously develop every aspect of your guitar knowledge.

I truly hope to be a catalyst in your quest for guitar greatness and help you gain many valuable techniques to add to your constantly growing stockpile of ultimate pro guitar skills.”

With Pro Lessons you LEARN IT, JAM WITH IT, and ultimately OWN IT!

David J Chura Web SitePro Lessons Support




All About Anchor Licks

All scales can be played in five different positions. While memorizing them is important, there still remains the question, “How does one solo within each one?”

One of the best ways to become skilled at this is to use the “anchor lick” concept where you learn recognizable licks and patterns in each position.

These classic maneuvers consist of bends, slides, vibratos, hammer-ons, pull-offs and various rhythms that you’ve heard guitarists use in countless legendary solos.

You will then have something familiar to work with in each of the five positions and easily be able to extract loads of great ideas to use in your own improvisations

New Releases

Pro Lessons Video

  • Mastering the Minor Pentatonic Volume 1: Emi pentatonic soloing licks in all 5 positions/patterns info
  • Mastering the Mixolydian Volume 1: E Mixolydian soloing in all 5 positions/patterns info
  • Got the Bends?
  • Blues Rhythm Triads


Coming Soon!

  • Blues Licks
  • More Rock
  • Various Minor Pentatonic Soloing Collections
  • Various Major Pentatonic Soloing Collections
  • Various Modal Soloing Collections

Pro Scales all positions

  • Emi Pentatonic Scale E Blues Scale E Major Pentatonic
  • E Mixolydian



Mastering the Minor Pentatonic

how to play licks in all 5 of the Emi pentatonic patterns Volume 1

Watch Mark Play in all 5 patterns

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Why These Lessons?

Even if you are just starting to learn to play lead guitar and improvise, this video series will put you on the fast track to learning how to solo in all positions and patterns up and down the neck effortlessly. I will teach you the patterns and licks in a simple, easy to understand fashion so you can start using them right away.

Mark talks about the soloing dilema most guitarists face  

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The Dilema

I can’t tell you how many guitarists have come to me knowing how to improvise a decent lead guitar solo, but really only know how to play in a couple of places on the neck. Some haven’t realized yet that there are five patterns available, while others know them but I usually hear something like “I can play the other patterns, but I can’t seem to make them sound like something.”

After going through these lessons a couple of times, I believe you will be amazed at how easy it is, with a little practice of course, to play anywhere on the neck and sound great.


Why the Minor Pentatonic Scale?

One of the first stops on the road to blues and rock soloing mastery is the minor pentatonic scale, a must have staple in every soloist’s arsenal. Regardless of the fact that there are many scale choices, this particular scale works so well over so many different styles and chord changes, that it is some times referred to as a blanket scale.

Even in non-minor chord situations as in the case of innumerable guitar-driven songs, the minor pentatonic is the primary sound. You will hear it over and over again in countless legendary recordings and performances throughout the history of rock and blues guitar. E is also one of the most popular keys on the guitar and often the first place many guitarists learn to solo in.


Video Lesson Explanation 

In each pattern I will play three short licks, one on the top, one in the middle, and one on the bottom, and then play two combinations of all three licks. The tab and the scale patterns can be pulled up at your convenience and you can loop the video so you can play along until you feel comfortable with each lick.

The ideas presented here are meant to show you ways to get started playing and sounding great in all five of the E minor pentatonic patterns available on your guitar. I have purposefully kept most of the lick ideas relatively slow and short although there may be a couple tricky fingerings here and there.

Feel free to shake things up as you get comfortable in each area. Some things you might try are; different rhythmic approaches, playing faster or slower, creating longer or shorter phrases, changing the order, adding or subtracting notes, adding notes from the blues scale, adding more or less vibrato, slides, hammer-ons, pull-offs and bends.

Use whatever fingering is comfortable to start with. You’ll notice in these examples I don’t use the pinky much because in this style I am somewhat emulating guitarists such as Clapton and Hendrix and many of the rock and blues guitarists who rarely used that finger for lead guitar. That being said, I do use my pinky a lot in other situations and encourage you to work at getting it stronger.

Also, I have provided two different backing tracks and guitar sounds for you to hear these examples; a funky/bluesy groove using a gritty blues lead sound, and a hard rock slow jam with a much heavier lead guitar sound. This will hopefully start to give you an idea of the versatility of this scale. These two tracks are also included for you to jam along with.

For those of you that want to explore more music to solo over, check out my Pro Band Backing Tracks/E minor Pentatonic Soloing Collection, which features 16 tracks of assorted blues and rock styles where you can use the E minor pentatonic as the primary scale to solo with and immediately sound great. This App also has the ability to change keys and tempos so you really get a chance to work your new licks in different keys.


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Mastering the Mixolydian:  Volume 1

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You’ve got that minor pentatonic/blues scale down and dirty, but you can tell there’s still something missing! I’m talking about those sweet tones you hear the legends nail time and time again; the 9th, the 6th and most outstanding, the major 3rd. Their secret down-home ingredient? The Mixolydian scale! Start smearing this tasty Southern fried country, rock, blues sauce on your licks and watch them start to sizzle and smoke. You’ll be cookin’ in no time. Licking fingers good!

To get you used to how to work with the Mixolydian scale, learn these five “anchor” licks for E7, played around the chord shapes C7, A7, G7, E7 and D7. This covers the entire guitar for the E7 chord and the E Mixolydian scale.

These licks will teach you some classic “Mixolydian moves” used in rock, blues, funk, and country. To demonstrate the versatility of this scale, there will be a different rhythm track behind each example so you can hear it different styles.

A separate audio track of each example, and all five rhythm tracks (both with looping and tempo change options), are included so you can practice each one of the five licks in different styles and at different tempos.

Much emphasis has been placed on the 3rd of E7 (G#), as this is considered a primary target tone. Feel free to experiment. Change the note order, rhythms and speed. Try each lick on all five of the backing tracks. Bends, slides, vibratos, combining positions, hammer-ons and pull-offs are all fair game. Another little trick: Combine the E minor and E major pentatonic scales, the E blues scale and the E Mixolydian to get the ultimate smorgasbord of tasty licks.


D7 Shape: Funk

Many a rock band from Aerosmith to Zeppelin has delved in the syncopations of funk.

C7 Shape: Rock

Straight ahead rock and roll

A7 Shape: Blues Shuffle

The blues is a great place for the Mixolydian. This example just stays on the first chord of a 12-bar blues. In an actual progression when the chord changes, the soloist has to as well.

G7 Shape: Country Rock

Think Southern rock and country, but even bands like the Stones and the Beatle’s incorporated this scale and these types of licks.

E7 Shape: Slow Rock

Arena rock slow rock ballad



Got The Bends?

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The spotlight is on! Step up to take your solo, throw your head back, start pushing those strings into the stratosphere and make your guitar cry and moan! There’s nothing like the feel and emotion that can be wrung out of your axe by string bending – the heart and soul of modern blues and rock soloing. Evoke the passion of Hendrix, SRV, BB King and countless legends in your solos. Bottom line this is an outrageous set of bends. You can't live without it. Just buy it and you'll thank me later.










Blues Rhythm Slides Volume 1

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If you are tired of the same old rhythm patterns in your blues, then it’s time to hop on these classic rhythm slides and hear yourself slip into something a little more uptown and jazzy. This Pro Lesson demonstrates the slides on string set 1 (EBG), and string set 2 (BGD) in three positions. There is a medium shuffle and a slow blues version. These examples all fit over an E7 chord. Note: When you play these in a standard blues progression you will have to move with the chord changes E7, A7 and B7. Theory stuff: Technically speaking we are using (low to high) a Bmi and C#mi triad superimposed over an E7. In relation to E7, this implies E9 and E6. The two triad’s notes added up imply E13.