Acoustic Blues 1 Acoustic or electric, the slow blues just works. Use the minor pentatonic and the blues scale as well
as the mixolydian and major pentatonic scales that that correspond to each chord.
Acoustic Blues 2 This one goes beyond the classic I-IV-V with the addition of secondary dominants II7 and VI7 as well
as the #4 diminished passing chord.Lots of major pentatonic opportunities as well as mixolydian and perhaps even a
harmonic minor slipped in over the VI7 chord.
Acoustic Blues 3 Use the minor pentatonic and the blues scale as well as the mixolydian and major pentatonic scales
that correspond to each chord.
Acoustic Blues 4 Use the minor pentatonic and the blues scale as well as the mixolydian and major pentatonic scales
that correspond to each chord.
Acoustic Blues 5 Use the minor pentatonic and the blues scale as well as the mixolydian and major pentatonic scales
that correspond to each chord.
Acoustic Blues 6 Use the minor pentatonic and the blues scale as well as the aeolian scale throughout. Also try the
Dorian minor that corresponds to each minor chord. Perhaps even a harmonic minor slipped in over the V7 or
ii diminished chord might excite you.
Acoustic Blues 7 Use the minor pentatonic and the blues scale as well as the mixolydian and major pentatonic scales
that correspond to each chord.
Acoustic Blues 8 Use the minor pentatonic and the blues scale as well as the aeolian scale through out. Also try the Dorian
minor that corresponds to each minor chord. Perhaps even a harmonic minor slipped in over the V7 or ii diminished chord might excite you.",
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